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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Self portrait with gladioli

A very great and stimulating thrill

It's Complicated

Just good friends?
The Lambert

The Lambert

Beards

Barbering manuals of the turn of the century might describe this style as a ‘Van Dyck’, named after the Dutch painter Anthony van Dyck (1599–1641) who is known to have adopted this look.
Andrew Gaze

Andrew Gaze, 2018

by George Fetting
General content

Commissioned with funds provided by Trent Birkett 2018
The Cohen

The Cohen

Beards

Somewhat like the Lambert but more avuncular, more businesslike, less dandified or effete – the sort of style you’d expect to see on a bank manager in the 1920s.
The Brougham

Beards

Style guide

The Burke, The Parkes, The Lambert...
Sir George Grey

Nothing black and white about the Greys

It's Complicated

Marriage: a prolonged disaster
Mary Chomley

The Cosmopolitans

Now on display in Gallery Two
General content

Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.
George and Jemima Billet with family

In the most correct style

Nearest & Dearest

Desirable outcomes, undesirable origins

Artist in residence creates portraits using brainwave zctivity

29 June 2016
Archived media releases 2016

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.
Rachel Ward and Bryan Brown

Australian Love Stories

4 January 2021
Archived media releases 2021

A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
spaces between movement and stillness

Harriet Schwarzrock: spaces between movement and stillness

10 February 2021
Archived media releases 2021

To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.
Richard Morecroft & Alison Mackay, 2016 by Gary Grealy

Gary Grealy wins National Photographic Portrait Prize 2017

31 March 2017
Archived media releases 2017

After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.
Gail Kelly

Gail Kelly, 2018

by Paul Newton
General content

Commissioned with funds provided by Westpac Group and Optus 2018
Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

Annual Appeal

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

Prison and death in the 19th century

Two iBooks of authentic records
Learning resources

These books include sixteen inmates including Ned Kelly, Captain Moonlite and Frederick Deeming and twelve sketches of the deceased, including several children. For Year 7 – 9 students.
Phrenology video: 3 minutes 25 seconds

The Dissecting Room

General content

Though initially developed by physicians, phrenology was taken up by certain non-medical practitioners who applied the theory to social questions such as education and criminal reform. 
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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